Author Archive: Retro

Locating the weirdest films of the public domain is no easy feat. After all, what is one man’s trash may be another man’s genius; one woman’s exploitation may be another ladies’ titillation.

Weird is hard to define, difficult to pin down. From sexploitation to sleaze, vintage educational films to retro horror and sci-fi, here’s our list of the Weirdest Films Of The Public Domain, for your next strange movie night!

Spider Baby (1967)

1967’s Spider Baby, directed by Jack Hill and starring the legendary Lon Chaney Jr., is The Strange Case Of Benjamin Buttons meets The Texas Chainsaw Massacre, in this bizarre exploitation romp through mental illness, the dangers of in-breeding, cannibalism, and corporate greed!

Brain That Wouldn’t Die (1963)

It’s hard for a woman to get ahead in this world, especially when she doesn’t have a body. Perhaps the schlocky title “Brain That Wouldn’t Die” might leave you underwhelmed, but don’t judge a film

Most Iconic Public Domain Films

What truly makes a film ‘iconic’? What makes us come back to films that are 50, 60, or even 100 years old? A truly iconic film is one that leaves a lasting impact on the culture after its release. Oftentimes these films are not recognized until years (or even decades) after their initial release. The following are the most iconic films in the public domain.

Night of the Living Dead

In 1968, George A. Romero made a big splash in the horror movie scene with his independently produced Zombie feature Night of the Living Dead. The film follows seven characters trapped within a farmhouse in Pennsylvania, unable to escape because of the Living Dead (Despite its significance in zombie movie canon, the word “Zombie” is never used in the film).

Produced on a budget of slightly over 100,000 dollars, Romero’s first feature film kick-started the Zombie subgenre of horror which

Great Film Noir Movies in the Public Domain

In theme and style, Film Noir is a highly distinctive genre that enjoyed its heyday during the 1940s and 1950s. “Noir”, of course, translates from French into English as “dark”, and these philosophical films explore the darkness of the human condition in the guise of crime dramas. The genre conventions of what are typically B-picture parables encompass voice-over narration, flashbacks, amnesia and nitty-gritty cinematography, often of bleak urban landscapes commonly shot at night in black and white. Unconventional camerawork frequently includes shots with skewered angles and chiaroscuro, accentuating a psychologically fraught state of mind. Noir’s expressionistic form conveys a shadowy world that’s out of kilter, inhabited by hardboiled dicks and dames, guys on the lam and femme fatales, obsessed with sex, greed, power and other base, all-too-human desires. These action-packed motion pictures of persecution, pursuit, paranoia and passion are modern morality plays – where good doesn’t always